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Samba no Pe (Carnival Samba) The dance simply follows the beat of the music and can go from average pace to very fast. Men dance with the whole foot on the ground while women, often wearing heels, dance just on the balls of the foot. Professionals may change the steps slightly, taking 4 steps per measure instead of 3, and often add various arm movements depending on the mood of the music. There are also regional forms of the dance in Brazil where the essential steps are the same, but because of a change in the accent of the music people will dance similar movements to the slightly changed accents. For instance, in Bahia the girls tend to dance tilting their legs towards the outside instead of keeping their knees close to each other as in Rio de Janeiro and Sao Paulo. Beginner's Level :Basic steps, hips and feet exercises, variations on basic steps, posture correction, arms positioning. Intermediate's Level : Spins, hops and jumps. Advanced Level : Variations on advanced moves, training for shows and events. Interesting Samba Dance Movie Link: http://www.youtube.com |
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| Samba de Gafieira Very traditional in Rio de Janeiro in the 1930's the Samba de Gafieira is a rhythm that came out of the mixtures of Samba and Jazz and it has a code of ethics where elegance and respect are predominant. It is an elegant partner dance, although in artistic performances it is not uncommon mixing solo steps of Samba no Pe.The choreography of the Samba de Gafieira looks quite relaxed due to the snickery of the Samba from the beginning of last century, showing the magic of the Brazilian Bohemia. One of the main aspects observed in the Samba de Gafieira style is the attitude of the dancer in front of his partner: snickery, protection, exposure to surprise situations, elegance and rhythm. At the time of the dance, the man leads his lady and not the opposite. It is said that the typical scoundrel (Malandro) wore a white suit, black and white or brown and white shoes and underneath the jacket, black and white or red and white shirt horizontally striped and a Panama hat. Inside the pocket he carried a knife. One hand was always within a pocket of the pants, holding the knife in readiness for the attack. The other hand gestured normally. His legs did not walk apart of each other in parallel but always hiding the movement of each other, as if practically walking on a line. |
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While dancing, the "trickster" always protects his lady, giving her space so she can show herself to him and for the whole ball around him and at the same time preventing an approximation of any other man who wishes to dance with her. Hence also the attitude of Samba with open arms, as if giving a hug, is to enter the rhythm of music also to protect his lady. The main figure in the Samba de Gafieira is the hook, which can be used as an early step, connecting to another step or even for completion of a sentence of steps. |
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